Lost in Place
A Visual and Place-Based resource by Glenn Anthony
Screen Stories in development
2 Features 2: Horror/Comedy & Road Film
SHOPKEEPER:
(Off) There you are… we have a pulse
A dark coloured sedan slinks silently by, the driver easing into view;
![]() Mezzanine | ![]() Road Film |
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![]() Drama/Romance/Thriller | ![]() Feature Drama Comedy |
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DAVID:
Y'know, when I was a kid I had an imaginary
Friend…
WILL:
Really?
DAVID:
Yeah. Well, I had a pillow.
Hello, are you here for the exorcism?
No estoy aquí ahora,
pero por favor deje su mensaje.
CUT TO BLACK
Does he actually think he can make a movie this way? It's bullshit. I don’t know why he’s smiling.
WILL:
I'm going insane. This is it.
LOUISE:
How does it feel?
Flashback
Production Stills








Installations



2008


the importance of place in screen narratives




About the project...
When we participate in the act of watching a screen story, is where the story situated important? What position do settings and locations play in the way we watch and understand a movie? Most screen stories are set somewhere but how conscious are we of their role in providing for a meaningful screen experience? In what way could the treatment and representation of those settings or locations by the story tellers, affect our viewing experience and furthermore how dependent is the narrative on where it is set?
"When you travel a lot, and when you love to just wander around and get lost, you can end up in the strangest spots."
Wim Wenders
Lost in Place © Website Copyright. All photos & media exclusive property of Glenn Anthony Folpp and may not be copied or reproduced, transmitted, manipulated or used in any way without written permission of the artist Glenn Anthony Folpp and is protected by International Copyright Law.